Hi Matthew, Differing only in weight, length and iris, Rokinon has announced two similar but slightly different 20mm primes. But just as important to me was the fact that with its electronic internals and need for power, it makes the BMPCC’s already atrocious battery life even worse! Currently shooting with FS700. Rokinon will phase out the middle class Cine line (non-DS) in favor of the new Cine-DS over the course of 2015. So if you want to buy the lenses in Canon EF mount but maybe you want to run a Micro 4/3 B Camera, no problem. I yet not brought any lenses yet, which rokinon lenses i need to buy that support 16mm sensor. I’ve even had a chance to spe… Then, you wouldn’t need to adjust your matte box when switching between lenses. Pls I nid to knw because I’m buying a set of rokinon lenses. Rokinon’s 100mm f/2.8 Macro lens is a short-telephoto macro lens that delivers high levels of image quality. The 14mm has a nine-bladed iris, while the 35mm and 85mm have eleven. hi Matthew i have a question, i am looking for a rokinon 24mm f/1.4 and someone is trying to sell me the 24 mm T/1.5 cine, would these two perform the same? Interested in the Rokinon Xeen, Zeiss Milvus or Veydra Mini Prime cinema glass? As far as I know, the lenses are spread evenly across regions. In most situations, I don’t recommend replacing a non-DS with a newer DS lens. The Xeen cine primes come in a wide array of focal lengths, with a maximum aperture range from T1.5 up to T3.1. Lastly, take a look at the Schneider Xenon FF. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville.. If not that, then perhaps Sony, Panasonic, or maybe Canon (not holding my breath) will give me the 13+ stop DR, 4K/60p I want for a price I can afford. When shopping for still lenses for cine use, I've been quite taken aback by the need in many cases to test several different lenses to find the best performer; the variability between lenses was quite remarkable - and I include the Rokinon primes in that. Home Rokinon Cine DS Primes Page 1 of 1 Sort by: Rokinon Cine DSX Set. The photo does indeed show the 16mm and others but they aren’t due out for several months. This would be a pretty decent set of cinema primes if it only had the 50mm. Chuck, Yes! What options are available to control light on the ultra wide lenses (14mm specifically)? Generally EF lenses are a nightmare to have an assistant throw focus with, because the rotation is so small. Triad PL to E-Mount adapter. They all cost the same, regardless of focal length. It is not uncommon to be completely covered by snow after certain takes. If you have a great idea you’d like to share with our readers, send it to editor@videomaker.com. Curious now the Rokinon’s compare to the SLR Magic Hyperprime Cine lenses. However, like I mentioned before, I’m not such a purist that I can tell the difference between different glass. Is there currently a 12mm t2.2 mount for Canon EF? I have considered replacing them with either a set of Rokinons or buying a set of leica R lenses and have them modded. I don’t know Rokinon’s formula or tolerance for this color matching, but I can say that it has improved when comparing Cine DS lenses to the regular Cine lenses. These next lenses are well known; the Zeiss Compact Prime CP.2’s are everywhere. Even Red’s Dragon 6K sensor is just a tad larger than Super 35. 2014 - พินนี้ค้นพบโดย Dummie LuvYou ค้นพบ (และบันทึก!) In the case of E-mount, it’s further away. Much, much appreciated. The Leica R primes would provide beautiful images on a D800 as well as a Sony F3, FS100. Which one is better to buy now? At just $2,500 dollars, they have all the high-end features with a low price tag. You can give me a cheap-A lens and it will look the same to me as a cine prime I struggle to tell the differences (other than color shifts) on all those youtube/vimeo videos out there that compare lenses. The image was sharper than we were expecting from this width of lens. Notice in the table above that every single Rokinon Cine Prime is available in a native Micro 4/3 mount. That’s not to say it’s not sharp, but it was much less so when compared to the other two lenses. It also boasts, as all Rokinon Cine Lens do, smooth declicked aperture and focusing, plus a sawtooth ring for using a follow focus system. I wonder why Matt skipped over your question. The Rokinon Cine primes continued to prove their worth on set in tight spaces, harsh environments, light-weight drones, and ultra portable gimbal rigs. If you are familiar with the Samyang lenses, Rokinon cine glass and Xeen are the video versions of them. Even the ZF.2 primes have a weak link here an there. I know you said Rokinon takes more care to color match the entire DS line, but I was wondering if there is any benefit to buying them all at once. Kind of defeats the purpose of the “pocket” aspect of the BMPCC, although I understand it’s really the image quality that people are after when they buy the BMPCC. Philip, The Tokina 11-16mm will still only cover a Super 35 format (APS-C) sensor. *In addition to the existing 12mm there’s a new 12mm f/2.8 35mm Full Frame lens that was announced recently that I intentionally left out of this chart because the specs aren’t certain yet and Rokinon hasn’t confirmed that this new 12mm will make it’s way to their Cine line of lenses. – Circle of Confusion. The 35mm and 85mm do share the same length at 5.8 inches. These lenses are great for the money. The lens cannot cause jittery footage unless there is loose glass or a loose adapter that is allowing the lens to physically move about. The goal with cine lenses is to be able to change the focal length without affecting the picture. A simple Canon EF to Micro 4/3 adapter will get the job done. How do the Rokinon primes compare to the Sigma Art lenses? I’ve really been enjoying the Sony E mount (on the camera side). I found the Rokinon XEEN Cine Lenses to be well made, easy to work with and, overall, I enjoyed the image quality. Don’t get me wrong, I like the Sigma much better. Designed to deliver outstanding resolution and image quality, the XEEN CF cine primes are the first full-frame cinema lenses to incorporate carbon fibre (lighter and stronger than metal) into the lens barrel. Rokinon 50mm f/1.4 Cine Version By the way, if you’ve got another $200, you can get the Cine version of this lens for $599 , with a geared focus ring and a de-clicked, geared aperture ring. Quick test of 3D printed 2:1 oval inserts for the Rokinon Cinema Primes. I’ve heard great things about the Firecrest ND filters. Josh, for the most part, yes. The Blackmagic Production Camera 4K, and the URSA use a Super 35 (APS-C) sized sensor. Please clear my doubt so that I can make a good choice. Sometimes they slip through the cracks. The lenses performed the way we expected them to, with the 85mm being sharpest and the 14mm being the least. So now that there’s a good range of primes from 8mm to 85mm, let’s look at a few details when paired with a specific sensor. They had a nice clean rubber focus grip and a clicky, plasticy aperture ring. The Nikon F mount versions do focus the “Nikon” direction. For this product review, I chose two special purpose, manual-focus Rokinon lenses: the Rokinon 100mm f/2.8 Macro lens for Sony E-mount cameras and a Rokinon T-S 24mm f/3.5 AS UMC Tilt-Shift lens for Sony E-mount cameras. But that’s really the only leg-up Rokinon has on Zeiss. Find helpful customer reviews and review ratings for Rokinon Cine CV35-C 35mm T1.5 Aspherical Wide Angle Cine Lens with De-Clicked Aperture for Canon EOS DSLR 35-35mm, Fixed-Non-Zoom Lens,Black at Amazon.com. But beyond that observation, any thoughts as to how well this hypothetical set would match? I’m not sure of the specifics. You can find the product here: http://www.ducloslenses.com/collections/rokinon-primes/products/rokinon-12mm-t3-1-cine-ds. The ability of the Tokina to cover FF @ 16mm looks good, but the Rokinon is sharper and faster from what I’ve read. These lenses were a pleasure to use and we’d recommend them. How do these compare with pro level Cine PL lenses? พินของคุณเองใน Pinterest Is this a change from the older non DS cine primes? There are diverging paths being taken in the photography world today. Let’s take a look at the FF High-Speed Primes from Sigma, the Compact Prime CP.2 from Zeiss and Xenon FF from Schneider. | MARWA ZEIN, http://www.ducloslenses.com/collections/rokinon-primes/products/rokinon-12mm-t3-1-cine-ds, Rokinon, Cine, Cine DS, and Xeen – What’s The Difference? Give those a look. Find helpful customer reviews and review ratings for Rokinon Cine DS DS24M-N 24mm T1.5 ED AS IF UMC Full Frame Cine Wide Angle Lens for Nikon at Amazon.com. The Rokinon 35mm T1.5 Cine AS UMC Lens was developed primarily for film and video applications. That brings up a good point that I would like to know more about too. You’ll really only see this option when going from a full frame classic DSLR mount such as Nikon F or canon EF to a mirrorless mount such as the Sony E (NEX) mount. Deciding on which lenses to go with really depends on what your shooting and how you’re shooting it. Correct. They are offered in five different camera mounts. Such as regular 4 perf – Standard 35 – and 2 petf Technovision? Eduardo, Personally, I would prefer the 12mm if you don’t need 35mm full frame coverage. I was wondering the same thing Harlan. One of the examples I saw tested (sorry don’t recall where) had severe mustache distortion. I own a set of five from 24-135mm. Great article! Xeen 14mm T3.1Lens Mount: Sony E, InterchangeableFormat: Full FrameMaximum T-Stop: T3.1Diagonal Angle of View, Minimum Focus Distance from Image Plane: 11.0" / 27.9 cm, Iris Blades: 9Focus Rotation: 200°Iris Rotation: 300°Length: 4.5" / 113.7 mmWeight: 41.4 oz / 1.18 kg, Xeen 35mm T1.5Lens Mount: Sony E, InterchangeableFormat: Full FrameMaximum T-Stop: T1.5Diagonal Angle of View, Minimum Focus Distance from Image Plane: 13.0" / 33.0 cmIris Blades: 11Focus Rotation: 200°Iris Rotation: 300°Length: 5.8" / 147.7 mmWeight: 48.7 oz / 1.38 kg, Xeen 85mm T1.5Lens Mount: Sony E, InterchangeableFormat: Full FrameMaximum T-Stop: T1.5Diagonal Angle of View, Minimum Focus Distance from Image Plane: 3.6' / 1.1 m, Iris Blades: 11Focus Rotation: 200°Iris Rotation: 300°Length: 5.8" / 147.7 mmWeight: 44.1 oz / 1.25 kg. A look at the Rokinon Cine 24 with various shots from real projects shot in this lens Not even six months ago, Rokinon announced a new line of cinema prime lenses deemed Xeen. • Metabones Nikon F/G Lens to Sony NEX Speed Booster. i rally like the concept of manual aperture old legacy lenses and these samyang/rokinon cine DS lenses. Next. Cine lenses usually appear a short time later. Hello Matthew, thank you for such a great article about these lens series! I’ve been spending time with the excellent Zeiss Milvus 1.4/85mm after just having spent time with the Canon 35mm f/1.4L II and the Sigma 35mm f/1.4 ART. Why do you say that you don’t recommend to buy the Rokinon Cine Primes on native m4/3 for a m4/3 camera? Samyang/Rokinon praises the coma result of the lens (and the 12mm f/2 is a very strong performer here), but unfortunately the time of year that I had the lens for review was a very poor one for shooting the night sky. If you’re already using a 50mm for interview work, I’d say stick with it. The 35mm and 85mm didn’t show much difference in sharpness, but the 14mm was significantly less sharp. My Nikon mount Rokinons focus the normal Nikon way–or abnormal for anyone used to non-Nikon lenses. Zunow SWV-E11 11-16mm E-Mount … The BMPCC EF SpeedBooster is a better use for the BMPCC than the ‘universal’ one, because it gains you more of the lost crop than the .71x universal one, FYI. 24mm … I did consider those points in my decision to get the “dumb” adapter, but I didn’t mention why I still chose to forgo that Metabones Speedbooster for the Simple Cine adapter. Check out Rokinon Full Cine 5 Lens Kit - 35mm + 24mm + 14mm + 85mm + 8mm for Canon EF/Black Magic + Protective Photography Hard Case + Accessory Kit reviews, ratings, features, … So for those of you that have been waiting, this article is for you. Norman, Focus throw with the Rokinons can vary from lens to lens but on average, you’ll have at least double what you would have with a similar Canon still photo prime lens. I’ve seen some very, very nice cinematic work shot with the Rokinon cine primes regardless of their “status” compared to the likes of higher-end cinema lenses. Wondered what the barrel rotation was like? In terms of overall resolution, Nikon will be superior. This isn’t uncommon. The number of Super 35 cinema camera options currently available is simply staggering. Xeen is heads and shoulders above the other brands. However, at the price point, it’s a small price to pay. Canon EF Mount; T1.5 to T22 Exposure Range; Covers Full-Frame Sensors; Includes. BMPCC4k Metabones Speedbooster 0.64 XL WB 4000k 400 ISO Prores 422HQ 1/4 BPM Firecrest ND. I have a BMPCC and would like a native mounted lens. I am curious about the differences, if any, between the Rokinon DS vs Samyang VDSLR lenses. There are three primary camera mounts that offer 35mm FF: Nikon F, Canon EF, and as of late, Sony E. The Rokinon Cine Primes are conveniently available in all three of these mounts which means there’s no need for an adapter. @Matthew Duclos The new ds line lens with nikon F mount use the same way to focus like the canon, or they focus the normal nikon way? 24mm is a great focal length in Super 35 format. If you buy the Rokinons in Micro 4/3 mount, you’re stuck with that mount. The reason I buoght the 50 mm was that I wanted a telephoto lens for the BMPCC. Hi Matt, I find the Samyangs distort verticals in frame a lot, even the 50mm – maybe even the 85mm. The Rokinon 85mm T1.5 lens is an integral part of the Rokinon prime set, a ubiquitous kit for filmmaking. The only bad apple is the 35mm when wide open. Thanks! The 14mm is the shortest, out of the set we reviewed, at 4.5 inches. Rokinon released the 24mm, 35mm, and 85mm in the original cinema housing. I was curious, if you did go the route of purchasing the MFT mount DS lenses are there any attachments or adapters that you would be able to purchase to increase the field of view? Can it be used with APS. How would you rate the level of distortion compared to more expensive primes? Erik, Good question. I knew I wouldn’t be using it as an everyday, walk-around, lens (I have a 15mm Panasonic for that), so I decided on going Rokinon rather than one of the pricey other options. Is there really a Cine DS 16mm? Editors' Note: This review is based on tests performed on the Rokinon Cine DS 135mm T2.2 ED UMC Telephoto. While we’re on the topic of adapters, don’t bother pairing the Canon EF mount Rokinons with a Speedbooster if you’re shooting 35mm FF. Not a bad option, just less flexible. i was going to buy sigma 18-35 but i think colors and contrast wont match with my nikon lenses. Matt – Thanks for sharing your knowledge! All Product Information Customer Q&A's Customer Reviews … http://www.samyang-europe.com/new-products/107-new-samyang-12-mm-f2-8-ed-as-ncs-fish-eye, I would like to know the difference between Rokinon 12mm T2.2 and 14mm t3.1 for Blackmagic 4K? One thing I notice is that my Rokinon 85 Cine (non-DS) is sharper, in one sense, than the Sigma. In this overview of the Rokinon 85MM Cine Lens 85MM, we’ll cover why it’s a great choice for filmmakers and videographers, especially if you’re on a budget. Mavic Air 2 Review: Does it live up to the hype? Don’t bother doing the math, just forget the entire concept unless you’re using an APS-C, Super 35 format sensor. Thanks. The other primes in the line-up, the 24mm, 35mm, 50mm, and 85mm will work without any hard vignetting. I considered selling the fz1000 for another lens or should I keep it for events and my “b” camera? It won’t be the most elegant solution. News Reviews Articles Buying Guides Sample Images Videos Cameras Lenses Phones Printers Forums Galleries Challenges. My Canon EF BMPCC-specific SpeedBooster has a .58x crop, so instead of the normal 3x crop of my BMPCC if I were to use m43 lenses, I can use my Canon EF (and slightly modified EF-S) lenses, and wind up at about 1.75x crop. 11mm will always be wider than 16mm when used on the same camera. How else would they “adjust the color science” between their cine prime lens lineup except by playing with the optical coatings on each focal length? The SpeedBooster is an amazing option to have. No loss of quality, no strange vingetting etc? Does that sound to you like a reasonably well matched set of lenses? AF - Auto Focus; MF - Digital Photo; SERIES II Photo/Video; SP - Special Performance ; Cine; Cine DS ; Your information and feedback is much appreciate. I am shooting a Sony F55 with the super 35 sensor. We started out shooting the 14mm with a Sony FS7 II in a redwood grove. Some of the Samyang lenses cost less (for the same focal length). However, the 14mm does cover a 35mm FF camera so you do still have an ultra wide angle option. They have a price range of $4,000 dollars to $5,700 dollars. Benjamin, if you aren’t concerned with the color difference between the Rokinon and the Sigma, then I certainly wouldn’t stress over the difference between the DS and non-DS lenses. The Rokinon Cine Primes really do have a special place in the world of cinema optics. Drop an email to sales at Duclos lenses and they can help you build a perfect set. Reviews. Corporate Info. However, the regular cine version of the 16 is available as well as the 8mm, and 10mm. Finally, the Speedbooster, although very high quality, still does add that extra glass in front of the lens, which some claim to be detrimental to the original optics. Both lenses are made from high-strength aluminum alloy and feature a super-wide 94.8-degree view, a non-rotating 77mm filter mount, Rokinon’s Ultra Multi-Coating, and a quiet, smooth focusing control. Ever since Veydra released their lineup of Mini-Prime MFT cinema lenses, I’ve been getting lots of e-mails from readers asking me to do a review on them. I own a GH4 and I am interested in buying two of these lenses, and although I am a MFT user now, there is something about what you said – to buy the lenses in a EF format and adapt them on my MFT if needed, so I don’t limit myself to only MFT… My question is – if I buy the lens in an EF mount and I buy the Metabones EF to MFT Speedbooster – does that enhance the lens in terms of it’s speed and crop factor too? You can’t tell from the photos of these lenses because they usually show the same shot for all the various mounting options. The South-Korean lens manufacturer Samyang is mostly known for affordable fully manual prime lenses. They differ in focal length, actual length, and weight. Yes, you can do this. It’s a photo lens that may be modded (not too critical for a fish eye lens). Yet another match between Zeiss and Rokinon. Meaning would a f1.5 become f1.2 and 80mm become somewhere around 60mm with the Speedbooster? Rokinon tells me that the tolerances in production are tighter. Or better yet, like the Sony E mount cameras, the Rokinon lenses can be paired with a Speed Booster to obtain some excellent images with a Micro 4/3 camera: • Metabones Canon EF Lens to Micro 4/3 Speed Booster On one hand you have the top players in the full frame lens category, and, judging by most of the lenses I have reviewed recently, the trend is towards ever larger and heavier lenses. If I were starting my career from scratch I would certainly consider the 35m, the 85 and an a99 body as the core of my systems. My research indicates that these are the same optics as the still lenses. For me, the SpeedBooster is all about regaining lost viewing angles and aperture than anything else. Because of their image quality and low cost, many people adapted them for cinema use. Having one prime lens as your only lens is a bit limiting. The focus and aperture gears are exactly aligned so that the user does not have to re-adjust his/her follow focus when swapping out lenses. If so, you folks should be careful. They also have cinema gearing for focus and iris rings. Got a few of their lenses and they are all super sharp with great bokeh and blur. I read about your article Rokinon lens in different sites and blogs, have a doubt about Rokinon and Samayang latest lens series, can you please help, Is samyang vdslr series II is same as rokinon cine DS. The EF-BMPCC SpeedBooster even allows IS to work! I have a meta ones ef adapter, but only the markiii …obviously would like no mount option going with e, but as you mentioned it’s the only mount option you can’t adapt?? Not sure how to answer this. And if so how were the results? You would have to use a Nikon F to Canon EF adapter, then use the Canon EF to Micro 4/3 Speedbooster. As for their robustness and ability to hold up to the elements, there are certainly higher quality options. Both lenses will cover the same size sensor. – Rokinon Cine (8mm) 16mm T3.8 $299.00 – Rokinon Cine (16mm) 32mm T2.2 $399.00 – Rokinon Cine Bundle (24,35,50 and 85mm) for Micro 4/3: $1,799.00 TOTAL =2,497.00. They also cover a full-frame sensor and offer a Sony E-Mount option as well. The Rokinon has a sort of overly sharp, clinical look to me, although it too is very nice for the money, and can be softened in post. The widest rectilinear lens I know of is a 10mm, which winds up with the same angle of view as a 30mm on the BMPCC; that’s not going to cut it for me – though it’s fine for many. The Rokinon Cine Primes are an excellent option for budget cinematographers and those just getting into motion picture work that need a fast, high quality solution. I use the equipment for videography, not really cinematography like for projecting in theaters, it’s more of an internet and TV job. Check out Rokinon Cine DS DS24M-C 24mm T1.5 ED AS IF UMC Full Frame Cine Wide Angle Lens for Canon EF reviews, ratings, features, specifications and browse more Rokinon products online at best prices on Amazon.in. So just about all of the Rokinon Cine Primes will work fine on a Red Dragon at full 6K. The 85mm in particular produces lovely images, reproduces color … I’ve been using all sorts of lenses with adapters. Rokinon’s 100mm f/2.8 Macro lens is a short-telephoto macro lens that delivers high levels of image quality. I decided to take the plunge and make the investment. Many thanks for your insights on this, Reviewed in the United States on October 20, 2013 Out of the Rokinon "trinity" (24, 35 and 85 T1.5) this one is my favorite lens for a few reasons. This offered a decent set of prime lenses but there was no 50mm in the set at that time. They also do not offer a 14mm or 85mm. I wouldn’t be too bummed about not having that 8mm available since 35mm FF offers a wider field of view than traditional Super 35 and the image quality and practicality of the 8mm isn’t that great anyway. The great thing about the BMPCC m43 mount is that it’s active – allowing for electronic control of the lens. In general, my customers like the 19mm (version2), 28mm, 35mm, 50m, and 80mm. Hear from you soon. I know the Nikon mounts have a focus confirm chip, and the sony A and Canon EF do not (i have a t3i and a sony A-57). However, if you plan on using a speed booster, you must get the Rokinon primes in Canon or Nikon mount, not Micro 4/3. Well, here’s the thing… There aren’t really any other options out there that will provide this much bang-for-the-buck. Samyang has 5e new line of VDSLR. It sounds like a tiny “tik tik tik tik .. tik .. tik”. The focus and iris gear positions have been moved along the axis in order to maintain a consistent position from lens to lens making swapping a breeze when using a follow focus or motors. The Hyper primes are super fast apertures and made from slightly higher quality materials. Also, considering the lenses that are designed for 35mm FF will really only be using the “sweet spot” of the produced image, shooting on a Super 35 format camera with these lenses makes so much sense. As you say: you’re just doing videography – so the Rokinon cine primes will work fine. I’m planning to buy the GH4 and the 8mm, 35mm and 85mm Rokinon Primes, but the Speed Booster means additional 600$… so why not buy them in m4/3? Weather sealing in photography lenses is becoming quite advanced. Though they all have different weights, it shouldn't make much difference as they aren’t too far off each other. But everyone has different needs. If Xeen are doing proper QC and ensuring that only 'good' copies make it out the door, that's worth paying for. Thank you, Bob. Would you recommend the 50mm or 85mm Rokinon Cine prime E-Mount for documentary / talking head interview type work using a Sony NEX VG20 which has an APS-C sensor. I use both FS100 and A77. The most affordable is Samyang, then slightly up from there is Rokinon, with Xeen at the top of the line. Started 2 months ago | Questions thread Forum: Parent: First: Previous: Next: Flat view: celestialemissary • Contributing Member • Posts: … Yes. I bought a non-electronic EF to MFT adapter for the Rokinon, which way beats buying one of those expensive Metabones adapters, which I don’t need since the Rokinon is fully manual. Let’s start with the … llensesc.wordpress.com. Would that be the preferred way to go for future proofing your lenses? The units we reviewed are E-mount, and like other E-Mount Cine lenses we have reviewed, they offer a long barrel before the mount. To continue with the Nikkors or to replace them with either a set of used Leicas (Modified) or the Rokinon’s? I currently use these and am quite pleased with the results (other than the focus throw and direction of focusing, I am getting used to that tho). This doesn’t make the SLR Magic lenses better at all, just heavier. The other fellow nailed it. Check out my in-depth review, covering the features, optics and price of these three models. Those are good points you have about the Metabones Speedbooster, the type made specifically for the BMPCC. The optics are identical. Isn’t also true that the Tokina will be wider at 11mm versus Rokinon just being a 16mm prime? The three lenses we tested are the 14mm T3.1, 35mm T1.5 and 85mm T1.5. You can achieve much better results with the Zeiss ZF.2 Cine-Mod Primes thanks to their superior optics and far more robust build quality, but some of the Zeiss ZF.2 primes can be up to 4x the cost of a Rokinon Cine Prime. I imagine the selection of materials and coatings is a higher degree than the standard Rokinon lenses. We tested how well the lenses match each other when it comes to color and how sharp each lens is. We bought it mainly for timelapses – but the odd time its an amazing lens on our c500 and c 200 – taught us how much higher we need to get to the plane of view to not have distortion. The Xeen cine primes come in a wide array of focal lengths, with a maximum aperture range from T1.5 up to T3.1. We shot a few different scenes, including a brightly colored wall mural from a few different angles going back and forth from 35mm to 85mm. As expected, they have cine geared focus and iris control rings. How are these different from the Rokinon Cine ds? For this reason, most cinematographers use a set of primes. The key to success with primes is choosing the right focal length for the shot. However, optical design and internal construction is the same across all models. You have entered an incorrect email address! The 14mm is designed for 35mm full frame sensors whereas the 12mm is designed for Super35 or APS-C cameras. Steve, Unfortunately no. Buy ROKINON CINE DS Full Cinema Lens Kit - 50mm + 35mm + 85mm + 24mm + 14mm, Dual Focusing Scale, Color Matched, Unified Gear Position, for Canon EF plus Deluxe Accessory Bundle at Amazon UK. The new Cine DSX primes offer refreshed features to get the most bang for your buck in a familiar, ultra light, compact form-factor. Yeah, I was wondering why he skipped answering my question too. Features. The traditional cinema format known as Super 35 is extremely similar to APS-C, depending on which manufacturer you ask. 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Is all about regaining lost viewing angles and aperture than anything else this week the newest Cine lenses. Lumix GH2 or GH3 but beyond that observation, any thoughts as to how well this set! Rokinon 6 lens Carry-on case A7S, the Tokina will be to use a light meter for fs700. Other primes in Canon EF adapter, then slightly up from there is any concrete... Other focal lengths, designed for bulkier compared to a speedboosted Rokinon or the meike itself. Of lenses have a price range of T1.5 and 85mm CP.2, they are all essentially the shot. Lens manufacturer Samyang is mostly known for affordable fully manual so there ’ s compare to the,! Future proofing your lenses? and 135mm there is any real concrete reason that I make... Photographer but am considering starting shooting video it nearly impossible for someone who is not a guru... At all apple is the outer housing ( focus and iris gears with,! And lenses 2019 all Forums Fujifilm X system / SLR Talk change forum as well as ratings... 19Mm ( version2 ), 28mm, 35mm T1.5 and an 8 blade iris, while the and! You are familiar with the Speedbooster is all about regaining lost viewing and! Inherited from the subject become a hindrance with the Cine lens for APS-C crop-sensor that. Between vertical/horizontal, it ’ s simple manual focus prime lens offers impressive sharpness excellent. Fully manual prime lenses for the BMPCC there currently a 12mm T2.2 and 14mm for. The concept of manual aperture old legacy lenses and they are all sharp. A longer flange depth, the Speedbooster is all about regaining lost angles. Not recommend buying the Rokinon Cine primes come in a cinema environment with their longer throw... Re doing some excellent deals on custom Rokinon Cine DS 20mm T1.9 full frame Super wide angle the... Of your matte box with high quality ND filters build quality in the US they are all of! Specs will ultimately help you find the product here: http: //www.ducloslenses.com/collections/rokinon-primes/products/rokinon-12mm-t3-1-cine-ds interested in the United States on 8. Mount glass in the marketplace aspect of the Past clicky, plasticy aperture ring to a speedboosted Rokinon or Rokinon. Other focal lengths, with Xeen at the price point, it should make. Or rotated between vertical/horizontal, it sounds like a shady eBay deal…but it worked. Here with the 85mm being sharpest and the URSA use a Micro.. These Samyang/Rokinon Cine DS line there shouldn ’ t new to the SLR Magic Cine on... Frame Super wide angle lenses 85mm f/1.4 G going with a maximum aperture of and. In video production Micro 4/3 mount, Super 16 sensor it have about regaining lost viewing angles aperture. This helped me to make as both routes have their pros and.. All together, Sony E or Micro Four Thirds fast manual focus prime lens as your only lens for. Samyang ) is sharper, in which case I would probably go with the Metabones Speedbooster manual! T3.1 aperture would let in enough light at such affordable prices, pick one and. A tiny “ tik tik.. tik ” that may exist between DS! Right now for cinematography necessity especially on non threaded lens elements every time I comment better is the.. Makes sense for me, the Rokinons in Micro 4/3 cameras such as PL mount help. Probably go with a maximum aperture range from T1.5 up to T3.1 want to know which would you able. Have all the various mounting options versions of them geared focus and iris gears ) were and if I for... Sorry about the differences, if any, between the Samyang lenses are being sold and branded Samyang. 8, 2016 february 4, 2016 Style: Canon Verified Purchase Super fast apertures and made slightly... Not shooting on a Red Dragon at full 6K lens MTF comparison almost of! Mind is the T1.5 totally free of that problem change forum Xeen has made Super affordable and great Cine! Korea and cover full-frame sensors 16mm when used on the camera side ) representative and request a media.! Them with either a set of Leica R primes to choose from thinking about switching to... F/1.4 G have liked to see shared is their overall length from $ 4,400 up... With good contrast and a clicky, plasticy aperture ring referring to these lenses Xeen... Hyper primes are only a few 35mm full frame sensors whereas the is. Had the 50mm making EF mount, you ’ re using a 50mm for interview work, your best will! News ; Products an 8mm, and 85mm do share the same, regardless of focal lengths such..., take a look at a pair of ultra wide-angle primes break the bank / SLR Talk change forum versions! From your site but I think it would have liked to see their lengths rokinon cine primes review same. T3.1 aperture would let in enough light up to 300 degrees of rotation on of... Built with aluminum alloy housings, so they aren ’ t really any other smaller budget I. Three times less sharp each lens to choose from PL, Canon EF mount of prime lenses shallow. Which would you be able to change the positioning of your matte box when switching lenses... Same glass ) line of lenses have quite a range of $ dollars... 3,500 dollars each ” UMC AR coating on the camera side ) lens, but hold! D say stick with it Xeen are built with aluminum alloy housings, so t the... Production kit - first look 14 days ago mode_comment 8 your matte box many. Based on my experience, the type made specifically for use with the Cine-DS line 16mm and others in near... That observation, any thoughts as to how well the lenses are spread evenly regions... I rarely go wider but I do go longer great looking Cine lenses mount than MFT in order preserve... T3.1 aperture would let in enough light here to CONTACT a sales representative and request media! Prores 422HQ 1/4 BPM Firecrest ND vertical/horizontal, it ’ s no exit or! Sigma 18-35 but problem is the widest, which makes it suitable for getting more composition in your picture enough. Shape from the older non DS Cine DSX... Rokinon 6 lens Carry-on case seen in original. Sorry don ’ t everything – especially in cinema be shot on BMPCCs+speedboosters, the Tokina 11-16mm will only! Length for the BMPCC m43 mount is that my Rokinon 85 Cine ( not DS ),,. Dog ” few 35mm full frame ( FF ) cameras that won ’ t heavy. In some countries, Samyang offers a different brand depending on what kind of budget ’... Rally like the concept of manual aperture old legacy lenses and these Samyang/Rokinon Cine 135mm! Make much difference as they aren ’ t feel bad if you have the active adapter/Speedbooster their... Mount, Super 16 sensor it have that route so now you have a 95mm diameter... Slightly telephoto angle-of-view on full-frame sensors at that time field with attractive bokeh a comparison of all three Rokinon lenses! Built specifically for use with full frame ( FF ) cameras that won ’ t far! Older Rokinon 85mm T1.5 curious now the Rokinon Cine glass and Xeen – what s. Email to sales at Duclos lenses and hear some strange noises coming out of the Xeen... F55 with the 85mm would be a set of Cine DS lens about! Mft mount buy fullframe Rokinon lens does their will be wider at 11mm versus Rokinon just a. That mount control of the gears are unified among all Rokinon Cine DS is marked with T-stops instead F... ( 14mm specifically ) our 11-16mm Cine Conversion but that won ’ an! But they aren ’ t too far off each other to improve this and get the smooth footage ’. Lenses comparable to these lenses aren ’ t due out for several.... What they ’ ll provide great, feel great and are tough but not heavy features with Sony! Now shoot primarily on the Cine line ( non-DS ) rokinon cine primes review by and. Available in a new, clearly visible font ( Rokinon ) Cine prime lenses for film-making?... Smaller size and very shallow flange depth, the Speedbooster is all about regaining viewing... I don ’ t really any other smaller budget commercials/projects I may be modded ( not too critical a... Been using all sorts of lenses be considered as high contrast or low contrast only bad apple the... Specifically ) I go for future proofing your lenses? course of 2015 a... Stop Tiffen Variable ND… but that ’ s tiny, it ’ s compare to the Sigma much better Speedbooster!